Art & Artists in Exhibition: Vancouver 1890 - 1950
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Thomas William Fripp

March 23 1864 - May 30 1931

Vancouver Studio Club and School of Art (Founding Member)
B.C. Society of Fine Arts (Founding Member)(President 1909-1916, 1926-1931)
Art, Historical and Scientific Association of Vancouver (Member 1931)
Island Arts and Crafts Society (Member)
B.C. Art League (Member)
British Columbia Artist (B.C.A., 1921)

Thomas Fripp was born in London, England, on March 23, 1864. He was the youngest son of George Arthur Fripp, court painter to Queen Victoria. He was a grandson of Nicholas Pocock, one of the founders of the Royal Water Colour Society, England. Fripp completed art training at St. John's Wood Art School, followed by a year in Italy studying in Venice, Florence, and Sienna. He returned to England and took further training at the Royal Academy. He moved to Canada in May, 1893, arriving first in Quebec and then moving to Hatzic, British Columbia.

In 1893 Hatzic would have been a far cry from the civilized centers of London and Europe. The 1899 Wrigley's Directory lists Fripp living in Hatzic, occupation "farmer." The rigours of homesteading were perhaps too much for him, and he moved with his wife to Vancouver. He worked in a Vancouver photo studio, and taught art at Crofton House private girl's school, in addition to having his own art studio.

Fripp showed his work in the first annual exhibition of the Vancouver Arts and Crafts Association in 1900. He was a member of the Vancouver Studio Club formed around the turn of the century. This group became the nucleus for the B.C. Society of Fine Arts (BCSFA) founded in 1908. Fripp jointly served as the BCSFA's first Vice-President with Bernard McEvoy.

Fripp exhibited with the Art Association of Montreal in 1915, 1916, 1917, and 1918.

Fripp exhibited in the 1920 Annual Exhibition of the B.C. Society of Fine Arts, held at the Vancouver School Board offices on Hamilton Street.

Fripp led sketching trips to the B.C. Interior, in 1921 and 1922 at least. In 1922 he led a trip with R.S. Sherman, Maud Sherman, Mabel Bain and others to Pemberton Meadows and Darcy, reported in the Western Women's Weekly in the July 29, 1922 issue under the title "Sketching Trip Enjoyed." In 1922 Fripp wrote a long article titled "The Case of Local Artists", which was published in the column "Artists and Their Doings" in the Western Woman's Weekly in the July 29th issue.

In 1929 Fripp exhibited four paintings in the Citizens' Loan Exhibition of Water Colors sponsored by the B.C. Art League at their "temporary gallery" in the Hudson's Bay Company store at 649 Seymour Street. Fripp also loaned a number of paintings by his father George A. Fripp to the exhibition.

Fripp was one of only three local artists to display work in The Founders Collection, the first exhibition held at the Vancouver Art Gallery when it opened in October 1931, although he was not alive to enjoy the honour.

Fripp was a fairly prolific painter, working mostly in watercolour but occasionally in oil. He specialized in landscapes, expressing the B.C. mountains and coast in atmospheric veils of mist and cloud. He was one of many artists who visited and painted Savary Island, and two of his paintings of the island ("Old Wharf, Savary Island", and "Savary Island") were included in the Special Exhibition of his work at the Vancouver Art Gallery in 1931, the year he died.

He also exhibited with the Royal Canadian Academy in 1928 and in 1930. His work is in the collection of the National Gallery, Ottawa, Government House, Ontario, and Government House, B.C.

Fripp had a long and distinguished career in Vancouver - as an artist, as a teacher, and as an ardent and hard-working contributor to numerous arts groups, including the B.C. Art League, the Vancouver Sketch Club, the Studio Club, the Island Arts & Crafts Society, the Palette and Chisel Club, and the Art, Historical, and Scientific Association of Vancouver. A memorial bronze bust of Fripp was commissioned by the Citizens of Vancouver, sculpted by Charles Marega, and is now in the collection of the Vancouver Art Gallery. Fripp variously signed his work Thomas W. Fripp; Tom W. Fripp; Tom Fripp; T.W. Fripp; and T.W.F.

A memorial exhibition of Fripp's paintings was held at the Vancouver Art Gallery after his death in 1931.

Also, per card file at Vancouver Art Gallery Library:
     B.C. Society of Fine Arts: 1926, May 1929, November 1929; 1936; 1960; 1967
     Island Arts and Crafts Society: 1912 - 1930
     Vancouver Exhibition: 1925; 1930 (representing both BCSFA and Vancouver Sketch Club).


1931 Dec. 15 - 1932 Jan. 5 Special Memorial Exhibition VAG

1900 Sept. 25-27 VACA First Annual Exhibition Cheam Peak
Mt. Baker, Sunset
Southwold, Lincolnshire
English Scene
Hatzic Lake
The Net Mender
Sunset on the Thames
Hatzic Prairie
Autumn Sunset, Hatzic
1909 April 20 - 28 BCSFA   First Annual Exhibition The Quiet Hour
Storm in the Hills
Pitt Lake
Sunrise Over Sumas Mountain
Golden Lakes
Autumn Morn (Hatzic Lake)
1909 June 19 - July 17 Studio Club   Exhibition of Pictures A Grey Morning
When the Sun is Low
A Cloudy Day
Low Water, Silver Creek
1909 November BCSFA   Second Exhibition Passing Clouds
Autumn Glow, Stave Lake, B.C.
Cloudy Day
View from Bridal Veil Falls, Pitt Lake
Jocelyn Fripp
1910 May BCSFA   Third Exhibition Sunset After a Storm
Beginning of Bush Fire
Clearing After Rain
When the Wind Blows in From the Sea
Arbutus, Albert Head, B.C.
Towards Evening, Oak Bay
1912 Nov. 25 - 30 BCSFA   Annual Exhibition Moraine Lake - Laggan
Lake Louise - a grey day
Mt. Sir Donald
Mt. Temple from "Saddle Back"
Asulkan Glacier from Mt. Abbott
Lake Agnes
Snow Flurry, Mt. Aberdeen
Souvenir of Venice
Stave Lake
Carved Panel
1915 April BCSFA   Works by Members Consolation Valley
Lake McArthur, Canadian Rockies
Mt. Aberdeen, Laggan
Mt. Babel, Valley of the Ten Peaks
View from Hatzic, B.C.
Mt. Temple from Sentinel Pass
Willows, Hatzic
1917 Sept. 14 - 22 BCSFA   Eleventh Exhibition Along the Coast
A Sunny Day
The Asulkan Glacier, B.C
Fir Trees
Sentinel Pass, Canadian Rockies
Mt. Sir Donald Glacier B.C.
1920 September 18 - 25 BCSFA   Annual Exhibition Lake Agnes, Canadian Rockies
The Old Barn
The Old Bridge, Hatzic Island
Decorative Landscape
Eiffel Mountain, Paradise Valley
The Lions From North Vancouver
The Day's Awakening
View of Mount Sir Donald
1921 Sept. 19 - 24 BCSFA   13th Annual Autumn Floods
The Stave
Alta Lake, P.G.E. Railway
Wamalkin, B.C.
Sunset, Pitt River
Misty Morn
A Sunlit Shore
Dwarf Pines, Alta Lake
1922 Sept. 16 - 23 BCSFA   14th Annual Autumn Mist, Cheakamus, B.C
Souvenir D'Arcy
Summit, Gates Lake, Birken, P.G.E.
Moraine Lake, Laggan
Green Lake, P.G.E.
Alta Lake, P.G.E.
Along the P.G.E. near Rethel, B.C.
D'Arcy Evening
Sunset Glow, Anderson Lake, P.G.E.
1923 May 12 - 19 BCSFA   15th Annual Peep of Mount Whistler, Alta Lake B.C.
Garibaldi Lake
The Black Tusk, Garibaldi, B.C.
Mt. Sir Donald, Glacier, B.C.
A Grey Day, D'Arcy
Towards Evening, Anderson Lake
Anderson Lake, B.C.
Mt. Bident, Consolation Valley, Alta.
Early Morning, Cheakamus, B.C.
1924 May 3 - 17 BCSFA   16th Annual A Gray Day, Hatzic, B.C.
Lulu Island
A Quiet Evening, P.G.E. Railway
Mount Alpha, from Chee Kye
D'Arcy Glacier, Sunset
Shores of Pitt Lake
Yellow Pine, P.G.E.
Peep of the Lions
The Glacier
1924 Aug. 9 - 16 Vancouver Exhibition   Annual Exhibition Mount Whistler, Alta Lake, B.C.
Yellow Pines, P.G.E. Ry.
Edge of the Lake
1925 May 9 - 16 BCSFA   17th Annual Mt. Babel
Garibaldi Lake: A Gray Day
View of Mt. Stephen, Can. Rockies
Near the Summit of Mt. Omega, Early Morning
The Upper Squamish, B.C
Along Anderson Lake, B.C.
Harrison Lake, B.C.
Mt. Deltaform (Valley of the Ten Peaks)
Aloutte (sic) Lake, B.C.
"Autumn", Fraser Valley
1926 May 8 - 15 BCSFA   18th Annual Mt. Fay, Morning Mists
Across the Lagoon, Comox, B.C.
Still Waters, Alta Lake
Part of Glacier
The Sentinels
Sunrise Through Smoke
1927 June 10 - 25 BCSFA   19th Annual Near Hatzic
Alouette Lake
Valley of Devolation
View on Pitt Lake
Part of the Hermit Range
1929 May 18 - June 8 BCSFA   21st Annual An Old Orchard, Hope B.C.
Rock, Snow and a Grey Sky
Mt. Cheops, Glacier B.C.
Vanishing Vancouver
The Snows of March
Towards Evening, Jervis Inlet
The Tantalus
Autumn on the Coast (B.C.)
Guardians of Vancouver
Eiffel Mt., Paradise Valley
1929 October BCAL   Citizens' Loan of W/C Sunset on the Hermit Range
Alta Lake
Mt. LeFroi & Glacier
Mount Blanchard
1929 Nov. 16 - 30 BCSFA   Winter Exhibition Johnstone's Straits
Klemtu, B.C. from S.S. Cardena
Gill Island, B.C.
Seymour Canyon, B.C.
The Rain Storm from S.S. Cardena
Skeena River, B.C.
Chatham Sound, B.C., from the S.S. Cardena
1930 May 31 - June 14 BCSFA   Spring Exhibition Lulu Island
Pitt Lake (tree study)
Rock Study, Mt. Aberdeen
Snow Traceries, Mt. Temple
Along the Coast, B.C.
Mountains and Lakes, B.C.
Up Kutze Inlet
Pitt Lake, B.C.
Yellow Pine, Anderson Lake
Forest and Stream
The Black Tusk, Garibaldi Park
1930 Aug. 6 - 16 VanExh   Oil Paintings & Water-colours Gill Island, B.C.
Chatham Sound, B.C.
Storm Clouds, Jervis Inlet
Mountain and Lake, B.C.
Cheops, Glacier, B.C.
Mountain and Lake, B.C.
1931 October 5 - ? Vancouver Art Gallery
The Founder's Collection
Pitt Lake, B.C.
Near the Summit - "Omega," Tantalus Range
1932 May - July VAG   All Canadian Exhibition Mt. Blanchard, Pitt Lake
Mt. Tupper
1936 June 26 - July 12 BCSFA   26th Annual Mt. Tupper
Glacier, Anderson Lake
1946 July 2 - 28 VAG   Jubilee Exhibition Passing Shadows, Jervis Inlet
After the Storm, Stave Lake
1950 April 25 - May 14 BCSA   40th Annual Glacier on D'Arcy Range


Refer to BIBLIO.


(refer to VAG51)

100 YEARS OF B.C. ART (refer to VAG58)

References - GENERAL


Mr. Thos. W. Fripp
      Museum and Art Notes February 1927, Vol. II, No. 1
      Published by the Art, Historical, and Scientific Association of Vancouver.

The Late T.W. Fripp by Greenjacket
      Museum and Art Notes June 1931, Vol. VI No. 2; pages 60-61 (includes photograph)
      Published by the Art, Historical and Scientific Association of Vancouver


THE FINE ARTS IN VANCOUVER, 1886 - 1930 (refer to THOM)


CREATIVE CANADA - VOLUME TWO, by University of Toronto Press
      1972; ISBN 0-8020-3285-0
      Includes half a column of concise information about Fripp

      1974, Glenbow-Alberta Institute; published by McClelland and Stewart West
      ISBN 0-7712-1001-2; 224 pages, illustrated throughout in colour and b&w
      Includes biographical information on Fripp and one of his paintings illustrated


(refer to RCA81)


PHILLIPS IN PRINT - The Selected Writings of Walter J. Phillips on Canadian Nature and Art
      Selected and Edited by Maria Tippett and Douglas Cole
      1982, The Manitoba Record Society Publications, no ISBN, 160 pages
      Includes short article on Fripp by Phillips, originally published 1926 and 1931.

(refer to MM88)
      Exhibited 9 paintings from 1915 to 1918.



BEYOND THE CANVAS - Artists, Stories and the Sea by Jennifer Breckon and James P. Delgado
      Featuring the Mary and Bill Everett Family Collection
      2000, ISBN 0-9695221-4-2; exhibition at the Vancouver Martime Museum; illust. in colour
      Exhibition included work by Fripp

      17 references listed for Fripp.



"Of the water colors, it was generally conceded that Mr. T.W. Fripp's drawings simply stood alone, being the only work which may be said to be really representative of the genuine old school of water color, painting and following the traditions of this truly English art; in some of W. Fripp's warm, broad, sunny effect, notably in a charming little sketch of Southwold, and near Streathy, on the Thames (England), one recognizes the influence of a great master who for nearly half a century was closely connected with the water color society."
      From "British Columbia Letters, No. IV", by (unknown)
      The Canadian Architect and Builder 1900

"Mr. Tom Fripp's "Venetians Threading Beads" is a new departure for him (Ed.: in oil) . . . In water colors, Mr. Ferris showed but four small drawings, while in this class the only other exhibitor was Mr. Tom Fripp whose large drawing "Chill October" is the most important work that artist has shown here. His sketches "Venice" and "Burrard's Inlet," are full of light and atmosphere. In black and white, the same artist was the sole contributor, principally portrait studies in chalk or pencil."
       From "British Columbia Letters, No. VII", by (unknown)
       The Canadian Architect and Builder 1901

" ... T.W. Fripp ... and several other artists have clearly proved that round Vancouver is a real "artist's country"."
      "Vancouver Studio Club Spring Exhibition"
      B.C. Saturday Sunset, July 3 1909

"At this moment I am not aware of the arrangements made for art lectures or "gossips" during the exhibition. I hope there will be several. The lecture on watercolors by Mr. Fripp was both interesting and instructive and such lectures tend to make art something more than a means of "home adornment" - a real factor in the building up of a good fabric of society."
      "The Studio Club Autumn Exhibition", by Felix Penne,
      B.C. Saturday Sunset, October 30 1909

". . . and T.W. Fripp . . . are artists who contribute admirable exhibits."
      "Vancouver Studio Club", by Felix Penne
      B.C. Saturday Sunset, November 6 1909

"Among its members ... is Thos. W. Fripp, a son of the eminent water colorist of the same name ... "
      From "Art in British Columbia", by Bernard McEvoy
      Opportunities Magazine, 1910

"The exquisite finish and refined character of Mr. Tom Fripp's watercolors are known beyond the limits of Vancouver. He is one of the few artists in the present exhibition who seem to have arrived at a definite style and whose pictures, to use a phrase common with art dealers, are "signed all over". He has five small pictures of a high class in the present exhibition."
      From "With The B.C. Artists", by "A Visitor"
      Vancouver Daily Province, September 27 1916

"The work of a painter of mountains in another medium is seen in the masterly water-colors of Mr. Tom Fripp, who carries out and improves upon the traditions of the Royal Watercolor Society of England, of which his father was a distinguished member. There is a delicacy and refinement in Mr. Fripp's method, combined with a poetic sense of the grandeur of his subjects, which make his work very attractive, and the examples which he shows in the present exhibition can not fail to arrest the beholder by their marvellous execution and finish."
      From "Local Work is on View" by Bernard McEvoy
      Vancouver Daily Province, October 2 1919

"The work arranged was varied and interested. Mr. Tom Fripp showed some of his beautiful landscapes, including "Lake Louise", "The Lions", from North Vancouver, "A Grey Day On The Coast", and "Old Hatzic Bridge", also a very finely executed landscape in charcoal."
      From "Vancouver Sketch Club"
      Western Woman's Weekly, October 9 1920

"... one is rather glad to see some of the earlier apostles of art in our midst still sticking to their good old style. This is especially noticeable in the magnificent mountain pictures by Thos. W. Fripp, who has five in the present show, all of them of a covetable nature, but even here there is a touch of modernism in this artist's "Mount Lefroy Glacier," No. 59."
      From "B.C. Society of Fine Arts" by Bernard McEvoy
      Vancouver Daily Province, April 28 1928

      "In the two pictures, "After the Storm" and "Passing Shadows," Mr. Tom Fripp has shown his singular facility in depicting the soft beauty or the rugged grandeur of our rivers, lakes and mountains. In delicate mists and vapours he draws a veil over the landscape's more rugged features. Yet, not alone of mountains, but of woodland streams can Mr. Fripp's brush write poetry, and we hope the Museum may be able to acquire an example of these also."
      From "The City Art Gallery", by G.H. Lardner
      Museum and Art Notes, Vol. IV, No. 1. March 1929

"Tom Fripp at his best, with seven of his water colors at astonishingly low prices which in London would fetch double the money, should receive the notice of collectors. His "Near the Head of Pitt Lake, B.C." has the note of grandeur he has attained in his interpretation of our mountains, and so has the other big one."
      From "B.C. Society of Fine Arts", by Diogenes
      Vancouver Daily Province, November 13 1930

"Thomas W. Fripp may well be considered one of the most pioneer artists of British Columbia. Born in London, in 1864, he migrated to the Western Province in 1893, where, for a few years, he worked at the arduous task of clearing a bush farm. Before coming to Canada he had studied art with his father, G.A. Fripp, R.W.S., and also in France and Italy. An accident which injured his hand led him to give up farming and return to his painting. For thiry years he was active as a water-colour painter, producing many pictures of the mountains and Pacific Coast. He was a founder member and first president of the British Columbia Society of Artists, organized in 1917 (sic). His death, in 1931, removed an artist who deserves a place of importance in the history of art in British Columbia."
      From Canadian Landscape Painters, Albert H. Robson; page 188
      The Ryerson Press, Toronto, 1932

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