Art & Artists in Exhibition: Vancouver 1890 - 1950
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Margaret Eveline Wake (Miss)

April 16 1867 - October 13 1930

B.C. Society of Fine Arts
Vancouver Studio Club and School of Art (Instructor)
British Columbia Artist (B.C.A., 1921)
Vancouver Exhibition
Vancouver Sketch Club
Palette and Chisel Club

Margaret Wake was one of the earliest European-trained female artists to live and work in Vancouver. She was born in London, England in 1867, and took her art education at the Slade School in London and in Antwerp. According to the DICTIONARY OF BRITISH ARTISTS she was a still life and portrait painter living in London, and exhibited seven artworks in three exhibitions between 1893 and 1903. After arriving in Vancouver in 1911 she was active in a number of arts groups. She received numerous positive reviews of her artwork in exhibition.

She taught with Spencer Perceval Judge and Ann Batchelor at the Studio Club on Hastings Street. She later took summer excursions to Savary Island with Bachelor where they rented a cabin.

Wake exhibited with the B.C. Society of Fine Arts for many years, including April 1915, September 1917, September 1920, 1921, and 1922, May 1923, 1924, 1925, 1926, June 1927, and in 1936, 1950, and 1960.

She exhibited with the Vancouver Exhibition in 1924, 1925, and 1930, and was listed in the 1924 exhibition catalogue as a member of the Fine Arts Committee.

Wake also exhibited with the Royal Canadian Academy in 1921 and 1926.

She died in Burnaby in 1930 at the age of 63.

Exhibitions

DATE EXHIBITION ARTWORK
1912 Nov. 25 - 30 BCSFA   Annual Exhibition Portrait of Miss Nora Southwell
Still Life
1915 April BCSFA   Works by Members "Nothing to Say"
Master Briton Brock
Sketch of Mrs. Malkin
Pathway in Stanley Park
Study
Sketch of Master Philip Malkin
Portrait
Ice Cream Store
1917 September 14 - 22 BCSFA   11th Annual A Portrait
Pathway Through Woods
Jean
Margaret
Washing Day
1920 September 18 - 25 BCSFA   Annual Exhibition Indian Woman
Study of a Child's Head
1921 Sept. 19 - 24 BCSFA   13th Annual Peonias
Old Shack, Savary Island
Capilano Mary
The Woods
Gertrude Kellett
1922 Sept. 16 - 23 BCSFA   14th Annual Cottage on Seaton St.
Green's Shack, Savary Island
Poppies
1923 May 12 - 19 BCSFA   15th Annual Stanley Park
Portrait Sketch
1924 May 3 - 17 BCSFA   16th Annual A Shady Path
Raymond Pelligrew
Flowers of Spring
Mary Henderson
1924 Aug. 9 - 16 Vancouver Exhibition   Annual Exhibition Flowers of the Spring
Mary Henderson
Landscape
Mainland From Savary Island
1925 May 9 - 16 BCSFA   17th Annual A Gypsy
1926 May 8 - 15 BCSFA   18th Annual Charles Quick (Saddler)
Sophie
Kathleen Groves
Poppies
1927 June 10 - 25 BCSFA   19th Annual Miss Faith Henderson
Trees at Savary Island
Sketch of a Baby
Miss Given Brooks
1928 Feb 18 - Mar 18 Palette and Chisel Club   Exhibition Malcolm
Anemones
Lund, B.C.
Mrs. Barney Groves
1929 May 18 - June 8 BCSFA   21st Annual Portrait, Mrs. A.J. Pilkington
1930 Aug. 6 - 16 VanExh   Oil Paintings & Water-colours Broom at Savary Island
1936 June 26 - July 12 BCSFA   26th Annual Sophie, Squamish Indian
1946 July 2 - 28 VAG   Jubilee Exhibition Sophie
Stanley Park
Sophie - Squamish Indian
Capilano Mary
1950 April 25 - May 14 BCSA   40th Annual Kathleen

References

THE FINE ARTS IN VANCOUVER, 1886 - 1930 (refer to THOM)

EARLY PAINTERS AND ENGRAVERS IN CANADA (refer to H70)

THE DICTIONARY OF BRITISH ARTISTS 1880 - 1940 (refer to DBA76)

ROYAL CANADIAN ACADEMY OF ARTS -
EXHIBITIONS & MEMBERS 1880 - 1979
(refer to RCA81)

FROM DESOLATION TO SPLENDOUR by Maria Tippet and Douglas Cole
      1977, Clarke Irwin & Co., ISBN 0-7720-1048-X
      See biographical summary and colour illustration pages 79-82.

ARTISTS IN CANADA 1982 - UNION LIST OF ARTISTS' FILES (refer to AIC82)

BRITISH COLUMBIA WOMEN ARTISTS 1885-1985 (refer to AGGV85)

BIOGRAPHICAL INDEX OF ARTISTS IN CANADA (refer to BIAC03)
      3 references cited for Wake, including RCA above.

CITY & PROVINCIAL DIRECTORIES 1913-14/1918-21/1927-28 (refer to DIR)

B.C. VITAL STATISTICS ON-LINE (refer to BCVS)

Clippings

"Margaret Wake has evidently studied in good schools. She has a free and broad method, and while her "Daughter of the Empire", No. 18 (?) has a tendency to diffuseness, it is decidedly effective, and as a local subject is very intereseting. This artist, however, is far better, in the mind of the present writer, in her "Charlotte of the Mayfair", No. 82, which is a work of much vitality."
      From "With The B.C. Artists", by "A Visitor"
      Vancouver Daily Province, September 27, 1916

"Among members who have had the advantage of European training in the continental schools are Margaret S. Wake ..."
      From "Eleventh Annual Exhibition of Fine Arts", Bernard McEvoy,
      Studio Magazine, London England, February 15, 1918

"Miss Margaret Wake displays a number of pictures very good in color and well drawn; her figure sketch "In The Studio", is an example of real draughtsmanship."
      From "Freshness and vitality in Exhibition of Vancouver Sketch Club"
      Western Woman's Weekly, June 5 1920

"In the Loan Exhibit members represented were ... Miss Margaret Wake ..."
      From "Vancouver Sketch Club Takes Part in Exhibit"
      Western Woman's Weekly, September 18 1920

"Miss Margaret E. Wake's portrait in oils was a charming child life study, and her "Gay Bunch Of Flowers" in an old blue china pottery jar, was happy and cheering."
      From "Vancouver Sketch Club"
      Western Woman's Weekly, October 9 1920

"On this principle I would single out two pictures as being most satisfying. One is a portrait (119) "Capilano Mary," by Margaret A. (sic) Wake; there is a restraint and power in the treatment of the Indian woman's head that is very compelling ... (continues).
      From "Pictures at B.C. Fine Arts", by J. Butterfield
      Vancouver Daily Province, September 19 1921, page 12

"Margaret Wake has three dashingly strong portraits in her well-known vigorous style."
      From "B.C. Society of Fine Arts" by Bernard McEvoy
      Vancouver Daily Province, April 28 1928

"Miss Wake, who hails from London, laid the foundation of her successful art career at the Slade School, London, and exhibited there both at the Royal Academy and the Royal Institute of Painters in Oil Colours. She has been a resident of Vancouver for many years, and has exhibited at the Royal Academy, Ottawa. Incidentally it may be mentioned that she is a descendant of that Herward the Wake made famous by Charles Kingsley in his novel of that name, and who for eight years after the conquest of England held out against the Conqueror. The seat of the Wake family in England is Corteen Hall, Northamptonshire. Miss Wake painted "Sophie," a finely executed piece of work representing another well-known old indian woman. This has been frequently exhibited in Vancouver, and is now the property of Mrs. A.J. Pilkington, the wife of the City Comptroller."
      From "The City Art Gallery", by G.H. Lardner
      Museum and Art Notes, Vol. IV, No. 1. March 1929

Obituary, Vancouver Star, October 16 1930

"Margaret Wake, a vigorous painter and a steadfast member of the society for long, is well represented by a portrait of Miss Ruth Henderson. It is full of color, broadly painted, and it attracted a good deal of notice. Miss Wake has also some flower pieces painted with a dashing brush."
      From "B.C. Society of Fine Arts", by Diogenes
      Vancouver Daily Province, November 13 1930


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