| BRITISH COLUMBIA ARTISTS |
The second Beaux Arts Ball was held on October 19 1927 at The Ambassador, with a theme of Chinese. The City of Vancouver Archives has photographs of the event, and there is a review of it in the June 1928 issue of the Paint Box. Given that the them was Chinese, the Ogopogo looking down on the event as noted in a newspaper review was most likely a Chinese dragon. Two bibliographic references state incorrectly that the 1929 Ball was the first one.

The 1929 issue of The Paint Box included a lengthy report on the school's
annual Beaux Arts Ball. It was a medieval-themed event at the Hotel Vancouver.
One page of the report was devoted to a cartoon by
Ellen Moore of a number of people who attended the Ball,
and the costumes they wore in a medieval theme. These included:
Rui Shearman in blackface as “Othello”
J.W.G. (Jock) MacDonald, “in real life a harmless design master”
Vito Cianci as Leatherhood, “the hood was a great improvement”
Charles Marega as the Mayor of Venice, “very Dogey”
Frederick H. Varley as “an Irish dog-trotter, b’gorry”
Charles H. Scott as “a medieval Head-master, gadzooks!”
In 1934 the theme of the Beaux Arts Ball was Roman.
From September 8 to 20, 1936 there was a display of Beaux Arts ball costumes at the Vancouver Art Gallery.

| DATE | THEME | LOCATION |
| 1926 October 14 | Bal Masque | The Ambassador |
| 1927 October 19 | Chinese | The Ambassador |
| 1929 February 1 | Medieval | Hotel Vancouver |
| 1934 | Roman | The Ambassador |
| 1957 February 28 | Undersea | Commodore Ballroom |
"Beaux Arts Ball" by Madge Farmer
The Paintbox Volume 3, June 1928
"Students’ Club Report - the Beaux-Arts Ball" by Margaret A. Williams
The Paintbox Volume 4, June 1929
"UNDERSEA" invitation, 1957, courtesy Allan Collier
"The climax of our entertainment for the year was reached by The Beaux Arts Medieval Ball,
which took place on February 1st. The Oak Dining Room of the Hotel Vancouver, where it was
held, was an admirable background for the Ball, with its paneling, beamed ceiling and
gallery. The office of general convener was vested in the President, and, under the
direction of Alice Sharpe, banners, tapestries, armor and heraldic devices
were fashioned by the students and transformed the room into a baronial hall. During the
evening a Pageant was arranged by Phillis
"Students’ Club Report - the Beaux-Arts Ball" by Margaret A. Williams
The Paintbox Volume 4, June 1929