Three new exhibitions of a widely different character are being featured by the
Vancouver Art Gallery this week, consisting of a group of
pastel portraits by Nan Lawson Cheney, entries from
the Safety Poster contest, and work by S.E. Brunst.
Nan Lawson Cheney has been a frequent participator in
annual B.C. artists exhibitions for some years past,
contributing landscapes, portraits and still life. Her present display is entirely
of pastel drawings in the field of portraiture. All her subjects are men, and most
of them are in uniform.
There is a good deal of verve and animation about these pictures. The artist has
approached her work with sure, deliberate intention and a firm, confidant (sic) technique.
She has shown particular ability in her handling of the various textures of the uniforms.
SOUND DESIGN
There is a fine study of a boy in a blue sweater, and "Capilano Fisherman" is a popular
subject handled with unusual freedom and competence. Mrs. Cheney has a good color sense
and an infallible feeling for sound design.
Some time ago the United Commercial Travellers of America, Vancouver Council, announced
a safety poster contest open to children in Vancouver schools in the upper
grades. The results of this competition are now on view at the gallery, with conspicuous honors
going to pupils of John Oliver High School.
John Brendon from John Oliver captured first prize in the senior class with a strong,
original entry which would do credit to a professional commercial artist. Derward Smith
of the same school won second place in this group.
First prize in the junior class was carried off by Joan Thompson
of King George High School, while second prize in this class goes
to Jean Ortlieb of John Oliver School.
REALM OF ABSTRACT
All the competitors have handled their entries in a broad, simple and effective manner,
showing a clear grasp of the type of work required, coupled with good ideas.
Mr. S.E. Brunst, formerly of Saskatoon, and now resident of
Vancouver, is showing a collection of his recent work, which will be on view until
May 10.
Mr. Brunst's chosen medium is tempera. With great daring and confidence he has launched
out into the mysterious and elusive realm of the abstract with rather startling results.
Pattern is the supreme concern, and flat, bold color. The juxtaposition of form has been
intriguing to the exclusions of other important elements. This work is experimental,
courageous, and interesting.
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